Ravin Nila Kayal - Mazhavillu

Ravin Nilakayal – Mazhavillu

Compostion – Mohan Sithara

Lyrics – Kaithapram

Singers – KS Chitra , KJ Yesudas

Prelude – The song “Ravin Nila Kayal “, composed in raag Sreeragam, is a magnetic melody which touches everybody who has been in love . The song is from the 1999 film Mazhavillu and is played in the movie when Vijaya Krishnan, played by Vineeth, sings this song reminiscing about his old love Neena,  portrayed by Praveena . The album of Mazhavillu has a cult following of its own due to the silvery melodies it brings to the fore .

Ravin nilakayal olam thulumbunnu

Ripples rise and tremble in the pool of the moonlit night .

Nanam mayangum ponnambal premardram akunnu

The shy, drowsy water lily brims with tenderness and love . 

Palli theril ninne kanan vann ethunnu velli thinkal

The silver moon arrives in the royal chariot to meet you.

Rajni geetangal pole

Veendum kelpu sneha veena nadam

Like the songs of the night , I hear again the sound of the love's lute .

Azhakin pon thuvalil neeyum

You are like the soft golden feather of beauty.

Kavitheyo pranayamo

I cannot tell whether you are poetry or love .

Olathumbil olanjali thengi virahadram

The tender treepie bird steeped in longing wails, sitting on the edge of the coconut palm frond.

Odakombil olam thulli kattin kuralaram

The breeze with waves of air leaps through the bamboo flute and sets a melodious tune .

Nee evide nee evide

Where are you ?

Chaitra ravin omal ale poru nee

Oh darling muse of the spring night  ! Come towards me .

Peeli kaavil varnam pethu engum poo mazhayai

The sacred grove bursts with colour , showering flowers everywhere .

Ninne thedi neelakasham minni pontharam

Searching for you , the cerulean sky sends a little golden star to twinkle at you . 

Ini varumo ini varumo

Shyama sandhya ragame

En munnil nee 

Will you come to me , like an evening melody drifting through the dark clouds ? 

Postlude – The first line of the song refers to the thumping and fluttering of the heart on being in love . According to mythology , the moon is considered the lover of the water lily . The moon is imagined as coming in the royal chariot and alighting to meet the water lily to whisper sweet nothings in her ear . The sound of the lute mesmerises the lovers in the background during the course of their rendezvous . The beloved is as soft and gentle as the feather of the dove . The lover doesn’t know whether the beloved is as enchanting as poetry or whether she is an embodiment of love . The treepie bird, which sits on the edge of the coconut palm frond, is considered a harbinger of joy , happiness and pleasant weather, which sings for the lovers with melancholy . The lover plays flute for the beloved . The lover welcomes the beloved in the night of the spring season to embrace her . The trees in the precincts of the sacred grove shed flowers , and there was a rain of flowers welcoming the beloved . The cerulean sky searched for the beloved, and the lovely star twinkled at her . The lover requests the beloved to come like a melody through the dark clouds in the evening . This is a song which shows the brilliance of lyricist of Kaithapram, where he brings to the fore where the whole nature,  including the birds , flowers , season , and the azure sky, are in sync with the lovers and celebrating their love along with them by rejoicing .

Sharadindu Malar Deepam - Ulkadal

Sharadindu Malar – Ulkadal

Composition – MB Sreenivasan

Lyrics – ONV Kurup

Singers – P Jayachandran , Salma George

Prelude – The song “ Sharad Indumalar Deepam “ has captivated the minds of the music lovers of Kerala ever since it was released in 1979 . . The love song is perfect for having musings of togetherness and conjugal pleasure . Love transcends the universe . A universal feeling which is insatiable for human beings,  and we crave it every moment of time. 

Sharad indu malar deepa nalam neeti

The flower- like flame of the lamp carries the glow of the autumn moon . 

Surabhila yamangal shruti meeti

The fragrant nights plucked the lute to set the pitch of the song .

Ithuvare kanath karayileko ?

Are we heading to the sea shore never seen before ?

Iniyoru janmathin kadavilekko ?

Are we heading to the riverbank of another life ?

Madhuramayi padi vilikunnu – aaro

Madhuramayi padi vilikunnu

Someone is calling me , singing sweetly. 

Ariyathoru idayante venuganam

The song from the flute of the unknown shepherd.

Akale ninnu ethunna venuganam

The flute song which comes from afar.

Hridayam kothichu kothichu irikkum

My heart is restless with longing.

Pranayasandesham pakarnu poke

The song delivers the message of love.

Hari nila kambal churul nivarthi

Love unravels the tightly wound blue threads of the heart , like unrolling a wool skein . 

Varavelkkum swapnangal ningal aro

Varavelkkum swapnangal ningal aro

Who are you , Oh dreams that come to welcome us . 

Iniyum pakalkili padi ethum

The day bird will arrive , singing 

Iniyum tri sandhya poo chudi nilkkum

The three cusp prayers will stand adorned with flowers . 

Iniyu nammal nadannupokum

We will both stroll in the woods again.

Vazhiyil vasantha malarkilikal

There are birds on the way in the spring season with flowers in profusion.

Kuravayum pattum ayi koode ethum

The birds come along with us by ululating and singing songs

Chirakarna swapnangal ningal aro

Chirakarna swapnangal ningal aro

Who are you , Oh winged dreams  .

Postlude – The lyricist has bejewelled the song with various metaphors . The first stanza of the song talks about the flame of love which is never doused in the hearts of the lovers as they embrace each other in the pleasant fragrant nights . The lover calls the beloved to be with him throughout the course of life and also as they traverse different lifetimes together . The second stanza of the song brings a tinge of Greek mythology into it . Pan who is the god of fertility, is a patron of shepherds and huntsmen and is known for enjoying music , singing and dance, with the nymphs of the forests and vales joining him in the revelry . He created the wind instrument in memory of his lost love Syrinx,  who was a nymph who escaped from his determined persuasion by seeking help from other gods and got transformed into a reed . 

The process of weaving is metaphorical to the life, which is considered a well-spun thread by Lord Vishnu, who is the weaver . The weaving has an allusion to singing, as both involve patterns of motifs and musical notes, respectively . As the loom , shuttle and heddle move with rhythmic sounds along with the physical movement of hands , the weaver breaks into a song, creating a musical manuscript . Sometimes the music with words is used to convey information about the thread and knot colour while weaving.The third stanza shows the celebration of love in the spring season in full splendour .

The three cusp prayers are offered during dawn , noon and evening to connect the subconscious mind with the divine by venerating God . The prayers eradicate the grief in our life and remove sins we have committed in life . It helps us to improve our intellect and bring positivity into our lives . It helps in connecting the body , mind and soul with divine energy . The ululation is done by rolling the tongue and producing a trill sound during rituals , festivals , weddings and customary celebrations . In the song , ululation is being done by birds to welcome the bride and groom to the wedding stage and wish for their joyous and happy life . This song is the adeptness of lyricist ONV Kurup to bring about stories from the nature and mythologies around the world to weave a song into perfection about conjugal love transcending life times . 

Varnapradarshana Shalayil - Varadakshina

Varnapradarshana Shalayil – Varadakshina

Composition – G Devarajan

Lyrics – Sree Kumaran Thampi

Singer – KJ Yesudas

Prelude – The song “ Varna Pradakshna Shalayil “ takes us to a dreamy world with its mellowed tune . The song captures our attention due to the lyrical wordplay by lyricist Sreekumaran Thampi and its lilting melody . I came across this song when I was listening to old Malayalam hits of the 1970s and was beguiled by the song . The song has a mystic charm to it, celebrating the essence of womanhood . 

Varnapradarshana shalayil

In the gallery of hues. 

Moha pushpa pradarshana shalayil

In the gallery of flowers causing desire.

Oru pon thamara ithalil ninn adunna

Vara varnini ninakku abhivadanam

Oh splendidly beautiful lady ,  moving in the golden lotus petal with elegance .

Ayiram pournami orumichu vannu nin angam alakarichu

A thousand full moons came together and adorned your body with their luminosity.

Aa pada choodma maleya marutan ardra gandham nirachu

The moist air with the fragrance of the sandalwood paste touched your feet.

Anubhooti anganarupam arnavale

Abhivadanam ninakku abhivadanam

Salutations to you ! The one who gives intoxicating and joyous feelings with your beautiful form. 

Anjana chola tanna atmavu vannu ninn

Ara kettil ilaki adi

The mind,  which endows a bower like the magical collyrium to the eyes, moves and dances in the bells of the  waist chain .

Annapoorneshwari pada chilankakal

Aa kalil thalameki

The tinkling anklets, like that of Goddess Annapoorneshwari, who is the bestower of food and nourishment , beat out a rhythm as she dances. 

Anuragam mridu manda smitham akuvole

Abhivadanam ninakku abhivadanam

Salutations to you ! The love in your heart manifests itself in the form of a gentle smile on your lips .

Postlude – The whole song is about the multitude of roles played by women on this earth and how it is necessary to celebrate their being and existence in this material realm, which is a gift to mankind from God . The woman is an embodiment of beauty with her skin as soft as petals of a flower and face as radiant as a thousand moons . Her body is anointed with the redolence of sandalwood paste, and she is to be venerated on earth as being the creator and nurturer of humankind . No amount of obeisance is sufficient to glorify her divine existence and her strength , beauty , elegance , charm and resilience . The lyricist has used the word Annapoorneshwari which is an epithet and form of Goddess Parvati,  who is the nature and source of divine energy . She is the bestower of food and nutrition to human beings and at the same time imparts knowledge to attain enlightenment and salvation . She is a deity who is beyond illusion and fills the whole earth with grains , vegetables , fruits and flowers in the vagaries of seasons during the twelve months of the year . The whole world would be barren and still without her benediction . The love and compassion in the heart of a woman appears as a bower in the form of her gentle smile . This is a song which is an ode to women who manage multiple roles in life as a daughter , wife , mother , sister and friend and offers solace to anyone who is associated with her .

Pramadavanam - His highness Abdullah

Pramadavanam – His higness Abdullah

Composition – Raveendran

Lyrics – Kaithapram

Singer – KJ Yesudas

Prelude – The 1990 film “ His Highness Abdullah “ is a gripping tale of family politics in which usurping the throne of the patriarch of the family is the aim of other greedy and selfish members . The songs of the movie have a cult following due to its background of South Indian Carnatic music, which it brings to the fore with songs pervading ragas ( patterns of melodic notes ) enthralling the music goers of Kerala . The whole movie is set around a royal family in the silhouette of a palatial house where the patriarch of the house is a patron of classical music and arts . The song “ Pramadavam “ is sung by “ Ananthan Namboodiri “ the character played by Mohanlal, to impress the patriarch “Maharaja Udaya Varma “ played by Nedumudi Venu, to get into his good books and become his confidant .

Pramadavanam veendum

Rituragam choodi

The garden attached to the royal harem was adorned in the melody of the season.

Shubha sayannam pole

There is an auspicious evening.

Thelideepam kalinizhalin kaikumbul nirayumbol en

The bright flame of the lamp is shielded by the playful shadow of the hands . 

Pramadavanam veendum

Rituragam choodi

Eath etho kathayil

Sarayuvil oru chudu mizhineer kanam ayi njan

In some story , I am the warm teardrop in the Sarayu river.

Kaviyude gana rasa amrita lahariyil oru

Nava kanaka kireedam eth aniyumbol enitha

In the intoxicating nectarean love of the poet's song , I wear a new golden coronet now .

Eath etho kathayil

Yamunayil oru vana malarayi ozhukiya njan

In some story , I am like the wildflower floating in the river Yamuna.

Yadukula muralika thazhukiya muraliyil

Oru yuga sankrama geetam unarthumbol ennitha

The flute of Lord Krishna of the Yadu clan strokes the flute of the hero . It awakens a song ( Bhagavad Gita ) of cosmic transition of ages in the hero's flute. 

Postlude – Since the whole film is about a royal palace , a king and his family members , the lyricist Kaithapram has tried to bring the love which permeates the garden attached to the royal harem where the king spends time with his wives . The lamps adorn the palace, which gives beauty to the atmosphere with their luminescence . The lyricist brings to the fore the story of the epic Ramayana by mentioning the river Sarayu, on whose banks the Kosala kingdom with its capital Ayodhya stands . The lyricist has tried to mention many facets of life of which the Sarayu river has been testimony related to the life of Lord Ram . The Sarayu river originates from the left toe of the lotus feet of Lord Vishnu . There is also a story where the Sarayu river is considered as a drop of tear of Lord Vishnu which was shed by him on seeing the dedication of Lord Brahma in performing penances and austerities to propitiate him . The teardrop was placed in the Mansarovar lake of the Himalayan ranges by Lord Brahma . When the king of the solar dynasty, at the behest of sage Vashishta ( sage of the Kosala kingdom of Lord Ram ) strikes an arrow which breaks the bund at the Mansarovar lake ,it follows the direction of the arrow to reach Ayodhya . The word “ Shar “ refers to "arrow" in Sanskrit . So the river has got its name eponymous with the direction of the arrow which it followed from its source . The Sarayu river stands testimony to the life of Lord Ram as he follows the path of righteousness and truth. She witnesses the struggles he faces in life to carry out the obligations of a son , husband , brother , friend and that of a royal king in the various vicissitudes of life when trying circumstances come in front of him . 

The lyricist also points towards the first poet of Sanskrit literature , sage Valmiki, who utters his first couplet on seeing the lamentation of a female heron when her mate was killed by the arrow of a hunter when they were making love . Sage Valmiki is the author of the epic poem Ramayan, having won a boon by Lord Brahma to foresee the future happenings in the life of Lord Ram . Sage Valmiki’s life is that of self- realisation and contemplation when he renounces the life of a dacoit in the pursuit of doing service to mankind, where he becomes a sage doing penance and austerities in search of peace and attaining salvation . 

The second stanza describes the Yadu clan of Vrindavan, where Lord Shri Krishna was born and enchanted everyone around him by playing his melodious flute and spending time on the banks of the river Yamuna . The lyricist mentions the“ Bhagavad Gita “ or the “ Song of God “, which has the essence of the religion of Hinduism. The core philosophy of the Bhagavad Gita lies in doing work without thinking about the result of action . It focuses on the journey rather than the destination . It gives us wisdom about the soul,  which has no beginning or end and which never dies,  and it’s the good and bad actions which account for our destiny after taking new life after death . The Bhagavad Gita imparts knowledge about multiple lives which we have to take on earth to increase our wisdom until we merge with the supreme consciousness and awareness by attaining liberation . Kaithaparam, with his adroitness, has bought the story of two royal kingdoms of the cosmic ages of Treta Yuga and Dwapara yuga and the lessons which incarnations of Lord Vishnu as Lord Ram and Lord Krishna teach us . 

Phir Se Ud Chala - Rockstar

Phir Se Ud Chala – Rockstar

Composition – AR Rahman

Lyrics – Irshad Kamil

Singer – Mohit Chauhan

Prelude – The song “Phir Se Ud Chala “ is a contemplative song which takes us to the world of our dreams and how we aspire to reach our goals . It’s a song about self- introspection and understanding of the human psyche . The metaphors used in this song are beautifully penned by Irshad Kamil, who takes us to a heavenly world with his wordplay . The song has a meditative tune set by the greatest composer of our times , AR Rahman .

Phir se ud chala

I have taken flight once again.

Udke choda hain jahan neeche

I have left the world below as I fly over the horizon.

Main tumhare ab hoon hawale

I am now surrendered to you. 

Ab door door log bhagon meloon door yeh wadiyan

The people , gardens and valleys are far away from me.

Phir dhuan dhuan tan har badli aati hain chune

There is mist and smoke everywhere, and every cloud comes to touch my body.

Par koi badli kabhie kahin kar de tan gheela yeh bhi na ho

Yet no cloud ever soaks me - none reaches deep enough. 

Kisi manzar par main rukha nahin

I didn’t stop at any view or sight.

Kabhie khud se bhi main mila nahin

I have not met myself.

Yeh gila toh hain , main khafa nahin

There is a complaint, but I am not offended.

Shahar ek se , gaanv ek se

Log ek se , naam ek

The city , village , people and names of people are all the same.

Phir se ud chala

Mitti jaise sapne hain kitna bhi palkoin se jhadon phir aa jaate hain

The dreams are like they are made of mud and clay . No matter how much I sweep them away from my eyelashes, they reappear .

Itne saare sapne kya kahoon kis tarah se maine thode hain chode hain kyun

I don’t know what to say when I have a lot of dreams . I don’t know how I have broken them and abandoned them many times and why.

Phir saath chale mujhe leke udain yeh kyun ?

Why do they come along with me and take me high up in the sky to fly ?

Kabhie daal daal kabhie pat pat

Mere saath saath phir dar phire yeh

Sometimes branch to branch , sometimes leaf to leaf, the dreams roam along with me, knocking on every door . 

Kabhie sehra kabhie savan

Kabhie ravan kyun mar mar ke

I am sometimes the garland hung from the head of the bridegroom , rain, or the demon “ Ravan “ dying repeatedly 

Kabhi daal daal kabhie pat pat

Sometimes the branches and leaves

Kabhie din hain raat , kabhie din din hain

Sometimes the day is night, and sometimes the day is day

Kya sach hain kya maya

Hey daata hey daata

Oh God ! What is the truth,  and what is illusion ?

Idhar udhar teetar bithar

Kya hain pata hawa le jaye teri or

Here and there and helter - skelter, I don’t know why the air takes me towards you !

keenchain teri yaadein , teri yaadein , teri or

Your memories draw me towards you. 

Rang birange vehmon main main udta phirun

I fly with colourful delusions in my heart .

Postlude – The first line of the song explains how the hero leaves his past ways and surrenders his destiny according to God’s will . The hero says he left the people , gardens and valleys as he was soaring high up in the sky . The metaphorical reference to clouds represents how people he came across tried to dampen his spirits,  but he marches across not being  influenced by people and their opinions . He was so engrossed in doing hard work to fulfil his dreams that he didn’t catch hold of any sight and scenery which came his way . The hero has never understood his true self and what he really wants out of life . He has his own complaints to God for making him undergo hardships and grief in the pursuit of his dreams, but still he is not offended . The hero says that the world is the same in every aspect. Even though the people dwelling in the world differ in race , religion , gender , nationality , caste , ethnicity ,etc. , they are all the same,  as they have the same human emotions which bind them together . Many unblemished dreams as pure as virgin earth come to the hero’s mind no matter how he tries to break them and leave them in fear of them not coming to fruition . 

The hero searches for opportunities by approaching many doors so that at least one opens by flowing along with the branches and leaves . The hero is like the garland which the groom wears on his head during the wedding day, symbolising joy and happiness . Sometimes the hero is like the rain, which is a symbol of renewal , change and good luck . The hero becomes like the demon Ravan of the epic Ramayana with a lot of vices and has to face his demons at every point and try to overpower them with good qualities and the power of light over darkness . Sometimes for the hero , the day is as dark as night with no hope for the future, and some days are bright with optimism and zeal to do well in life . The hero is oblivious to what is happening around him and doesn’t know what is truth and what’s illusion . The hero is not able to decipher the myriad mysteries and the epiphanies of God . 

The hero reminisces about the memories of his beloved and is immersed in her thoughts . The hero flies high up in the sky like a bird, enjoying its sense of freedom in the vast expanse of the sky. There is nobody to reprimand him for having his delusionary dreams in which he believes with conviction. This song is for everyone who wants to understand the self and move forward in the journey of life by depending on one’s strengths and gifts provided by God .

Kannadi Koodum Kutti - Pranayavarnangal

Kannadi Kudum Kutti – Pranayavarnangal

Composition – Vidyasagar

Lyrics – Gireesh Puthencherry

Singers – KJ Yesudas , KS Chitra

Prelude – The peppy, playful wedding song “ Kannadi Kudum Kutti “ has enthralled generations, with young and old alike grooving to the song . The song appears in the movie when “ Arathi “,  the character played by Manju Warrier,  dreams about getting married to the love of her life . The song is kind of a lovely sweet banter between the groom and bride on their wedding,disclosing their love for each other . 

Kannadi koodum kutti kannezuthi pottum kuthi

Kavalam painkili vayo

Oh birdie who resides in the Java olive tree ( Kavalam tree ) ! By looking in the mirror of your vanity table in your nest , adorn yourself by applying collyrium in your eyes and applying “ bindi “ ( a decorative mark worn on the forehead by Indian women ) and come here .

Kunnatta penninu udukkan kudamulla kodiyum ayi

kookiyum kurikkiyum vayo

Oh lover ! ( male bird ) - Come by cooing and whistling with a jasmine flower-embroidered brocade saree for the charming girl

Mazhaolum mannelle mulaola kudelle

The rain falls through the mist, and the nest is made of bamboo leaves.

Azakolum mizhioram kulirurum kanav elle

The eyelash is beautiful, and the dreams are cool.

Manavalan vannu vilichal nanam kollum manaselle

When the groom calls you , your heart becomes demure and shy .

Poovil ee pullankuzhalil penne nee muli unarthum pattinte

pallavi ente kathil othumo

Oh girl ! - Will you sing the prelude of the song in my ears which you hummed and awaken in the flute  and flower ? 

Melle ee chillu nilavil mulle nin muthu pozhikkum kinnara

kattu kavil poo nulli nokkio

Oh girl - In this crystal moonlight, did the playful breeze that scatters pearl-like jasmines gently pinch your flower-like cheeks?”

Arum kanathenullil oro moham pookumbol innathil padi

poonkuyil

When desires bloomed in my heart unseen to everyone , the cuckoo sang tunefully .

Mannil ee munthiri valliyil allipoo puthu virinjal kanum njan

ente kinavil ninte poo mukham

Oh lover ! – When flowers bloom in the grapevine in mist  , I see your flower-like face in my dream

Ennum rakunthal azhichitt enne poo pattu puthakkum

punnara thoo mani muthe nee varum naal

Oh darling girl – I await the night when you will cover me with your tresses like a flower- embroidered silk brocade .

Pookum kaavo pon puvo , thooval veeshum venpravo

The flowers bloom in the trees in the precincts of the sacred grove . The dear flower blooms . The white pigeon flaps its wings

Nenjoram nerum bhavukam

The hearts of the flowers and the white pigeons extend greetings to the couple tying the  nuptial knot .

Postlude – The folk words used by Gireesh Puthencherry imagine the heroine to be a bird who gets ready inside her nest by looking at the mirror on the vanity table , by applying collyrium in her eyes and by applying bindi ( a decorative mark worn on the forehead by Indian women ) . The hero brings a jasmine flower - embroidered brocade saree for his bride according to the customs of Hindu weddings,  where the saree to be worn by the bride is given by the groom . The groom has prepared for the wedding well by arranging a new home, and  the light rain on the wedding day adds to the revelry as a good omen for bringing luck and marital bliss . The bride is filled with new dreams, and she becomes shy when the groom calls her . The second stanza of the song points towards the first night after the wedding of the groom and bride . The groom requests the bride to sing the prelude of a song in his ears . The groom caresses the cheeks of the bride . The mention of the grapevine here mainly points towards the wish of the bride to have their relationship grow richer like wine with time . The groom is waiting for the embrace of the bride when she will cover him with the tresses of her hair like a flower embroidered silk brocade . The flowers in the trees which grow in the sacred grove and the pigeons extend greetings to the newly wedded couple for their married life to be everlasting and eternal . This is a song which fills our hearts with joy and desires in our pursuit of a perfect wedding of our dreams . 

Aro Viral Neeti - Pranayavarnangal

Aro Viral Neeti – Pranayavarnangal

Composition – Vidyasagar

Lyrics – Gireesh Puthencherry

Singer – KS Chitra

Prelude – The song “ Aro Viral Neetti “ from the film Pranayavarnangal is a pensive track setting a sombre theme when the heroine has unrequited love towards the hero . The sorrow of the heroine is reflected in the lyrics by Gireesh Puthencherry . This song is a gem hidden among other more popular tracks from this album . The grief of the character “ Arathi “,  played by Manju Warrier, in her desire to get the love of “Vinayachandran “ played by Suresh Gopi, captures the whole sequence of the song . 

Aaro viral neeti manasin manveenayil

Someone reaches out a finger to pluck the clay lute of my heart . 

Etho meezhineerin shruti mitunnu mukham

The teardrops , falling from the eye, provide the silent pitch . 

Talarum tanuvode , Idarum manamode

The body is tired . The mind is wearied

Vidavangunna sandhya Virahardraya sandhye

Oh the evening bidding goodbye ! - the tender, sorrow - soaked evening . 

Vennilavu polum ninakku inn eriyum venalayi

The cooling moonlight is like scorching summer for you.

Varnaraji neettum vasantha varsha shokamayi

The spring with its colourful grove of trees turned into the sorrowful monsoon . 

Ninte ardra hridayam thooval chilla udanna padamayi

Your feather - soft benevolent heart broke into the shards of glass of a framed portrait.

Irulil parannu murivettu padum oru pavam pooval kiliyay nee

You are a flower- like  singing bird who flies through the darkness and gets wounded .

Pathi manja manjil pathuke petha orinja mazhayil

The rain pours slowly and incessantly through the pale , fading mist.

Kattil minni mayum vilakkay kathu nilpath are

For whom do you wait,  standing like a flickering flame of the lamp ?

Ninte mohashakalam peeli chirak odinja shalabham

The fragment of your desire spreads like a peacock feather and breaks like the butterfly's wings.

Manassil menanja mazhavillu maikkumuru pavam kaneer mukilay nee

You are like the weeping cloud which erases the rainbow woven in my heart .

Postlude – The opening line of the song mentions the lute made of mud in the heart of the heroine, analogous to the concept of a human being created from mud by God according to excerpts from scriptures of world religions . The rhythm with which the teardrops fall from her eyes is according to the pitch which is provided by silence . The heroine is wearied searching for her lover, and her mind is anxious as to why the lover is not reciprocating her love . She observes the evening as it bids goodbye,  filled with melancholy . The sight of moonlight ignites a fire in her heart . Her search for meeting her lover extends for months starting with the vernal spring, ending in her tears along with the rain of the monsoon season . The heart of the heroine,  as soft as a feather,  started bleeding when one was wounded by the piercing shards of glass . She stands like the shimmering flame of a lamp,  not knowing what future holds for her and whether the flame will be doused soon and her hope of uniting with her lover will come to an end . The fragment of her desire, which was spread like peacock weather with dreams, got shattered and broke like the wings of a butterfly . The cloud which formed in her heart erased the rainbow . Here the rainbow is pointing towards the covenant between God and man, where the former promised us redeeming grace and mercy, protecting human beings until the dissolution of the world . The erasure of the rainbow here is analogous to the loss of hope in the heroine’s life . This is a song which is an ode to anyone who has experienced unrequited love and faced impediments in their love life in pursuing their lover .